Mortals like Jack and Lily are not permitted to see-let along touch them, but Lily, delighted by their beauty and against Jack's warning-approaches them and gently pats one on the nose. These are sacred animals, guradians of purity, innocence and all that is good. Then Jack tells her that he has a special surprise, taking her to see the last two unicorns - a mare and a stallion. Unaware of the danger, Jack and Lily play in the forest glades together like children. Unknown to the two lovers, Blixx and his companions have found them and although the goblins are repelled by the teens' beauty and goodness, they follow Jack and Lily knowning that the youngsters will sooner or later attract the targeted unicorns. Lily's real plan is to visit her beloved Jack( Tom Cruise), a forest child and trusted friend to all the creatures that live there. She warns Lilly that visiting the woods is not a princess-like activity, but Lily goes anyway, leaving as quickly as she arrived amid Nell's warnings of things to forest things avoid. Along the way the playful young teen visits her friend Nell ( Tina Martin) a kindly peasant who lives at the edge the woods. The scene shifts to Princess Lilly all innocence and mischief, heading to the enchanted forest. He sends Blixx and his two companions, Pox ( Peter O'Farrell) and Blunder ( Kiran Shah)to set a trap with orders to bring the unicorn's horn back to him. Only someone innocent and pure, such as the Princess Lily ( Mia Sara), can attract the unicorns. He cannot approach the unicorns, he tells Blixx, because only the pure can find them. He confides to Blixx that he wishes to kill the last two unicorns so that darkness will fall upon the world, allowing him to emerge from his cave where he is shielded from the sunlight that is his enemy. In the same vein that Blade Runner became a cult classic when an improved version of the movie became available, Legend received a similar status and praise for doing the same.The Lord of Darkness ( Tim Curry) alone in his chamber, calls his minion the goblin Blixx ( Alice Playten). In the director's cut, the ideas about good and evil are consistently questioned as the protagonists are flawed individuals who make mistakes and may not be the pure embodiment of good, but will still rise to the occasion at the end of the day. evil story, the Legend director's cut provides a more morally gray narrative. Overall, while the theatrical cut provides a more clear-cut, good vs. The other big change is that the Legend director's cut uses the original Jerry Goldsmith score that was kept in for European audiences rather than the music by Tangerine Dream, Jon Anderson, and Brian Ferry that was in the US theatrical release (via Cinefantastique). There are two main differences between Legend's theatrical and director's cut, and the first is that the latter offers a more bittersweet ending in which Jack and Lili go their separate ways instead of riding off into the sunset. Similar to the multiple director's cuts that Blade Runner received, a big reason why Legend became a cult classic is the unrated Director's Cut released in 2002. A big reason why the movie had such great makeup effects is because of the involvement of makeup effects artist Rob Bottin, who is best known for his work on films like The Howling, Robocop, and The Thing. Several critics stated that Legend's visuals and makeup prosthetics alone were enough reasons to see it. Through a combination of the cinematography, set pieces, and most importantly the makeup effects, Legend was dazzling to look at. However, even the harshest critics cannot deny some admirable aspects of Legend as many of the positive reviews praise the film for its gorgeous visuals. a movie that has no clear idea of its own mission and no joy in its own accomplishment." (via ) Ebert's TV partner and fellow critic, Gene Siskel, was even harsher towards Scott's fantasy film, stating " I don't want to remember any more about Legend than to make sure I include it in my 'worst films of 1986' list and never rent it when it comes out as a video cassette." (via Chicago Tribune) Legend received mostly negative reviews, with criticisms of it being incoherent, messy, and overall lacking a sense of identity or purpose.
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